A couple of weeks ago I talked about setting up structure for a drawing in the post Drawing Basics: Structure. I thought I'd quickly post something showing that the same technique can be applied when painting.
Just like before, I find the simple shapes within the object and draw the outlining edges the object. Here I have found the basic outlying shape of the pear.
(I am painting on a panel with a neutral gray gesso. The paint I am using to draw the outlying edges and structure is raw sienna.)
|Volume and planes|
Volume, Find the Surface Planes
Again, I look for the volume of the subject. Just like in the other post I am looking for the surface planes and where they shift directions to determine the volumetric shape. I will draw the edges of the surface planes on the object for reference when I model the form later.
|Light and Shadow|
Then I define the light side and the shadow side and delineate that with a line separating the two. Now I am ready to lay in some paint.
(I will begin modeling the form by massing in the shadow side with a dark value and the light side with the appropriate value. I will cover that and the details of render form later.)
Render the Form
If you are interested in trying this and have some experience with oil paint, you don't have to do this exercise with a pear, any object will do. Pick something that has enough of an interesting shape but not something overly complex. Then give it a try. Once you have done this you will have painted your first still life. If you are not familiar with oil paint I recommend trying the drawing exercise first.